Archive for April, 2016

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The “What’s Been Going On?” Post

April 13, 2016

I haven’t blogged in a while. Nothing new there. But it’s not like nothing new’s been going on in my film career, I just haven’t been writing about it.

Okay, so that’s a bit of an exaggeration. (It’s not like Spielberg, JJ, Ridley and I met up to talk about how awesome my new film was- JJ cried a little, it was very emotional…). I’ve just been lazy with the blogging and slightly less lazy when it comes to film-type-stuff.

So, what’s been happening since the last time I blogged?

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Most of my directing energy has been thrown into my latest short film Dead Meet. I started making this project about eighteen months ago- which is a fucking long time for a twenty minute short! People have met, fallen in love, had a child and learnt the Peppa Pig theme song in that time. And much of the reason it’s taken so bloody long was a series of problems finding locations.

The first location was stumbled upon when I shot a music video for The Midnight Rambler. I’d been talking to the band about doing a music video for a while and there are dozens of ideas, treatments and half-developed storyboards littering my iPad to testify to that. They were really keen to do something off the wall and cinematic- something I wanted to do as well. Eventually an idea took hold- to have two classical dancers tango while the band play their track Inside Out with a little narrative bookend to tie it all together. We knew a keen and capable tango dancer, Rex, and he asked his teacher, Sarah, to partner him in the video. And the location was one of the village halls Sarah teaches in.

I’m actually really happy with this video. While I didn’t always get the lighting I wanted (because I’m not exactly a great cinematographer and didn’t have the right kit to get the look in camera), I did manage to capture some of the grace and movement of the tango and time it to work with the song. It was only after the band and I watched it that we realised that while it was good, it wasn’t… the band. Somewhere along the line, we’d lost much of the band’s personality and comedic character. The video didn’t reflect the band as they were. So I was reminded of the age-old adage when it comes to music videos- be true to the artist and their music, don’t present them as something they’re not. (Actually, thinking about it, we kind broke that rule with Shokamo’s Bless of an Angel and that worked out great, so maybe the adage is only mostly right!) Plus, the band line-up’s changed and the arrangement of the track has changed, so all in all, this is a video that will probably never see general release. Which is a shame, but it’s what can happen in the ever-changing world of┬ámusic videos.

On the other hand, sometimes you direct a music video that gets a lot of visibility. Irene Rae‘s See Me For Me was quite a simple shoot over one day in one very photogenic location. It was also a very quick production with virtually no prep and a very “wing it on the day” approach. There was no narrative and the only plan was to shoot a performance section and intercut it with various beauty shots.

What’s nice is that Irene Rae is very marketing-savvy and promoted the hell out of the video, getting it a ton of views on YouTube and good press into the bargain. It’s been a great artist-centric video to have on my reel, with a different style and pace to the other music videos I’ve been involved with. I hope to work with Irene again, maybe on a more cinematic video- which her sound would work really well with.

Sorry, I got sidetracked… Where was I? Oh yeah, the location…

So we were looking for a pub bathroom to film Dead Meet‘s fight scene in and had so far hit a brick wall. We were also looking for a pub- a brick wall of Great and Chinese proportions it seems- but I knew that the pub and the pub bathroom were not necessarily or likely to be in the same place. We needed a bathroom with decent dimensions- partly for the fight choreography we had been developing but also so we could get a camera and sufficient lights in there. So far, no joy- most actual bathrooms were the wrong shape, size or decor or were just downright disgusting.

But the village hall’s bathroom would work. I didn’t fancy having the conversation where I said I just needed to hire the bathroom for a day to film in, so I hired the whole hall. And after months of rehearsal and prep, this was what we shot:

The response to this video has been great. And hats off to Francesca and Dean for their work- we shot Hong Kong style, in sections, where the movements are choreographed with the camera and tailored to edit seamlessly with the shots on either side. This allows for shorter, but more intense takes with more complicated choreography and is quite difficult to do. Dean’s an experienced fight performer and has shot this way before, but this was pretty new for Francesca. She’d shot some action before (and quite a bit since!), but this was something of a baptism of fire. For me too, as it happens. As I’ve said before, I’ve shot quite a bit of action in my time- it was the thing that got me into filmmaking after all!- but not quite with this level of complexity and I quietly felt that this was a test of my skills and my resolve. I needed to prove myself with this fight scene, both to an audience and my own worst critic- me. But the response to the fight, even the rough cut, has been overwhelmingly positive.

With that fight scene in the can, the only thing that remained was to shoot the rest of it. And as I mentioned before, we had more than a few location problems. In fact, we didn’t get to shoot the rest of the film til November.

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I’ll put together a proper Dead Meet post a little later when we’ve shot everything (at time of writing, we have one more scene to shoot next week, then we’re done!), but the short version is that we got most of what we needed, muddled through on the things we didn’t have (enough extras, practical effects, the perfect location etc) and had a pretty good time into the bargain.

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Over this time, I did a few other bits and pieces including multi-camera music shoots for Silver Street Studio’s Aquedukt streaming community. I hadn’t done much in the way of live-mix work before this, although I had done a lot of multi-camera stuff. The general gist is a band come into the studio, we set up multiple cameras (at one point we had five!), all feeding into a software controlled mixer and they play and we stream live over YouTube. It’s been a steep learning curve- for all of us- but the results have been great and should be good long-term work if we can find a strong business plan for it.

I’ve also been busy writing. Two features, two shorts and a web series to be exact. None finished, obviously, this is me we’re talking about after all (“good starter, poor finisher” as some unfortunate and disappointed women might say). And at the moment, I’m trying to work out where to go from here. Will my next big project be a feature or a series? Or another short? I still don’t know and I’ll probably blog about that another time…

Music-related shoots seem to have been the focus this last year and I’d love to keep them a major part of my work. But over the next twelve months, I’d like my focus to be fiction and my directing career. I’ve been slack these last… ooh… eight years or so, and really need to pull my finger out if I’m to get within grasping distance of what I want: the hallowed director’s chair.

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